Shanta Rao

Untitled, 2016, inkjet print, 83,5 x 59 cm - 32 7/8 x 23 1/4 in.
Sans titre, 2016, tirage jet d'encre, 83,5 x 59 cm

A Straight Line to the touch is worth a Circle to the sight, W/ David Cousinard
Babel Art Space, Trondheim, Norway

Exhibition view/ Vue d'exposition (+ David Cousinard)

A Straight Line to the touch is worth a Circle to the sight, W/ David Cousinard
Babel Art Space, Trondheim, Norway

Shanta Rao, Untitled, 2016, mixed media, 102 x 44 cm - 40 1/8 x 17 5/16 in.
Shanta Rao & David Cousinard, 2016, Untitled, ratchet straps, variable dimension
Shanta Rao, Sans titre, 2016, technique mixte, 102 x 44 cm
Shanta Rao & David Cousinard, Sans titre, 2016, sangles à cliquet, dimension variable

A Straight Line to the touch is worth a Circle to the sight, W/ David Cousinard
Babel Art Space, Trondheim, Norway

Exhibition view/ Vue d'exposition (+ David Cousinard)

A Straight Line to the touch is worth a Circle to the sight, W/ David Cousinard
Babel Art Space, Trondheim, Norway

Exhibition view/ Vue d'exposition (+ David Cousinard)
Shanta Rao, Untitled, 2016, asphalt, plastic & metal, 180 x 100 x 19 cm - 70 7/8 x 39 3/8 x 7 1/2 in.
Shanta Rao, Sans titre, 2016, bitume, plastique & métal, 180 x 100 x 19 cm

A Straight Line to the touch is worth a Circle to the sight, W/ David Cousinard
Babel Art Space, Trondheim, Norway
© Dag-Arve Forbergskog

Untitled, 2016, asphalt, plastic & metal, 180 x 100 x 19 cm - 70 7/8 x 39 3/8 x 7 1/2 in. (detail)
Sans titre, 2016, bitume, plastique & métal, 180 x 100 x 19 cm (détail)

A Straight Line to the touch is worth a Circle to the sight, W/ David Cousinard
Babel Art Space, Trondheim, Norway
© Dag-Arve Forbergskog

Untitled, 2016, mixed media, 169 x 129 cm - 66 1/2 x 50 x 3/4 in.
Sans titre, 2016, technique mixte, 169 x 129 cm

A Straight Line to the touch is worth a Circle to the sight, W/ David Cousinard
Babel Art Space, Trondheim, Norway

Untiltled, 2015, decomposition on rubber, 151 x 120 cm - 59 1/2 x 47 1/4 in.
Sans titre, 2015, décomposition sur caoutchouc, 151 x 120 cm

Breaking & Construct, curated by Stéphanie D'Orglandes & Julia Van Hagen
4 PIÈCES, Brussels, Belgium
Private collection/ Collection privée

How the Stranger vainly endeavoured to reveal to me in words the mysteries of Flatland (detail), installation, in collaboration with Jean Bresson/ IRCAM and the support of Futura/Karlin Studios and DICRéAM (CNC-National Film and Moving Image Centre, multimedia artistic creation section)
Installation, avec la collaboration de Jean Bresson/ IRCAM, le soutien de Futura/Karlin Studios et le DICRéAM/CNC

OM, by invitation of Michal Novotný/Futura
Karlin studios, Prague, Czech Republic

How the Stranger vainly endeavoured to reveal to me in words the mysteries of Flatland (detail), installation, in collaboration with Jean Bresson/ IRCAM and the support of Futura/Karlin Studios and DICRéAM (CNC-National Film and Moving Image Centre, multimedia artistic creation section)
Installation, avec la collaboration de Jean Bresson/ IRCAM, le soutien de Futura/Karlin Studios et le DICRéAM/CNC

OM, by invitation of Michal Novotný/Futura
Karlin studios, Prague, Czech Republic

Shanta Rao & Rada Boukova, Quelle énergie mettons-nous à transformer les choses avec un plaisir non dissimulé (detail)
2016, installation

Popkimoto/Coordonnées, Le Pré-Saint-Gervais, France

Shanta Rao & Rada Boukova, Quelle énergie mettons-nous à transformer les choses avec un plaisir non dissimulé (detail)
2016, installation

Popkimoto/Coordonnées, Le Pré-Saint-Gervais, France

Shanta Rao & Rada Boukova, Quelle énergie mettons-nous à transformer les choses avec un plaisir non dissimulé (detail)
2016, installation

Popkimoto/Coordonnées, Le Pré-Saint-Gervais, France

Shanta Rao & Rada Boukova, Quelle énergie mettons-nous à transformer les choses avec un plaisir non dissimulé (detail)
2016, installation

Popkimoto/Coordonnées, Le Pré-Saint-Gervais, France

Shanta Rao & Rada Boukova, Quelle énergie mettons-nous à transformer les choses avec un plaisir non dissimulé (detail)
2016, installation

Popkimoto/Coordonnées, Le Pré-Saint-Gervais, France

Shanta Rao & Rada Boukova, Quelle énergie mettons-nous à transformer les choses avec un plaisir non dissimulé (detail)
2016, installation

Popkimoto/Coordonnées, Le Pré-Saint-Gervais, France

Untitled, mixed media, 79 x 59 x 10 cm, 31 1/8 x 23 1/4 x 4 in.
Sans titre, technique mixte, 79 x 59 x 10 cm

OM, by invitation of Michal Novotný/Futura
Karlin studios, Prague, Czech Republic

How the Stranger vainly endeavoured to reveal to me in words the mysteries of Flatland
Installation, in collaboration with Jean Bresson/ IRCAM and the support of Futura/Karlin Studios and DICRéAM (CNC-National Film and Moving Image Centre, multimedia artistic creation section)
Installation, avec la collaboration de Jean Bresson/ IRCAM, le soutien de Futura/Karlin Studios et le DICRéAM/CNC

OM, by invitation of Michal Novotný/Futura
Karlin studios, Prague, Czech Republic

Untitled, mixed media, 119 x 84 cm - 46 7/8 x 33 1/16 in.
Sans titre, technique mixte, 119 x 84 cm

BAU INSTITUTE/CAMARGO FOUNDATION
FiveMyles Gallery, Brooklyn, USA